Ayn Rand (pronounced /ˈaɪn ˈrænd/; born Alisa Zinov'yevna Rosenbaum; February 2 [O.S. January 20] 1905 – March 6, 1982), was a Russian-American novelist, philosopher,[3] playwright, and screenwriter. She is known for her best-selling novels and for developing a philosophical system called Objectivism. Born and educated in Russia, Rand emigrated to the United States in 1926. She worked as a screenwriter in Hollywood and had a play produced on Broadway in 1935-1936. She first achieved fame with The Fountainhead (1943),[4] and her best-known work – the philosophical novel Atlas Shrugged – was published in 1957.
Rand's political views, reflected in both her fiction and her theoretical work, emphasize individual rights (including property rights) and laissez-faire capitalism, enforced by constitutionally limited government. She was a fierce opponent of all forms of collectivism and statism,[5][6] including fascism, communism, and the welfare state.[7] She was also an atheist and promoted ethical egoism (which she termed "rational self-interest") while condemning altruism.[8]

Rand was born Alisa Zinov'yevna Rosenbaum (Russian: Алиса Зиновьевна Розенбаум) in 1905, into a middle-class family living in Saint Petersburg, Russia. She was the eldest of the three daughters (Alisa, Natasha, and Nora) of Zinovy Zacharovich Rosenbaum and Anna Borisovna Rosenbaum, largely non-observant Jews. Her father was a chemist and a successful pharmaceutical entrepreneur.[9]
Rand was twelve at the time of the Russian revolution of 1917. From the window of her home which stood on one of St. Petersburg's great public squares, Rand witnessed the gathering demonstrators, the red banners, and, then, the first outbreak of violence against those crowds in February, 1917. Opposed to the Czar, Rand's sympathies were with Alexander Kerensky. Rand's family life was disrupted by the rise of the Bolshevik party. Her father's pharmacy was confiscated by the Soviets, and the family temporarily fled to the Crimea. At sixteen, Rand returned with her family to Saint Petersburg.[10]
She enrolled at the University of Petrograd, where she joined the department of social pedagogy, majoring in history, and studied under N.O. Lossky.[11] It was while at university that she was introduced to the writings of Aristotle and Plato, who would form two of the greatest influences and counter-influences respectively on her thought.[11][12] A third figure whose philosophical works she studied heavily was Friedrich Nietzsche, admiring the heroic sensibilities of Thus Spoke Zarathustra (while rejecting other aspects of his thought).[13] Her formal study of philosophy amounted to only a few courses, however, and outside of these three philosophers, her study of key figures was limited to excerpts and summaries.[14] Of the writers she read at this time, Victor Hugo, Edmond Rostand, Friedrich Schiller, and Fyodor Dostoevsky became her perennial favorites. As a "non-proletarian," Rand was "purged" from the university shortly before completing. However, bowing to pressure from foreign intellectuals, the communists relented and allowed many of the expelled students to complete their work and graduate,[15] which Rand did in 1924 after completing a three-year program.[11] She subsequently studied for a year at the State Technicum for Screen Arts.[16]

Immigration and marriage
In late 1925, she was granted a visa to visit American relatives. She arrived in the United States in February 1926,[17] at the age of 21, entering by ship through New York City, which would ultimately become her home. After a brief stay with her relatives in Chicago, she resolved never to return to the Soviet Union, and set out for Hollywood to become a screenwriter. Already using Rand as a Cyrillic contraction of her surname, she adopted the name Ayn. Initially, she struggled in Hollywood and took odd jobs to pay her basic living expenses. A chance meeting with famed director Cecil B. DeMille led to a job as an extra in his film, The King of Kings, and to subsequent work as a script reader.[18] While working on The King of Kings, she intentionally bumped into an aspiring young actor, Frank O'Connor, who caught her eye. The two married on April 15, 1929, and remained married for fifty years, until O'Connor's death. Rand became an American citizen in 1931. Taking various jobs during the 1930s to support her writing, for a time Rand worked as the head of the costume department at RKO Studios.[19]

Early fiction
Main articles: Night of January 16, We the Living, and Anthem (novella)
Rand's first literary success came with the sale of her screenplay Red Pawn in 1932 to Universal Studios. Josef Von Sternberg considered it for Marlene Dietrich, but anti-Soviet themes were unpopular at the time, and the project came to nothing.[20] This was followed by the courtroom drama Night of January 16 first produced in Hollywood in 1934, and then successfully reopened on Broadway in 1935. Each night the "jury" was selected from members of the audience, and one of the two different endings, depending on the jury's "verdict," would then be performed.[21] In 1941, Paramount Pictures produced a movie version of Rand's play Night of January 16th. She did not participate in the production and was highly critical of the result.[22]
Her first novel, the semi-autobiographical We the Living, was published in 1936 by Macmillan. Set in Communist Russia, it focused on the struggle between the individual and the state. In the foreword to the novel, Rand stated that We The Living "is as near to an autobiography as I will ever write. It is not an autobiography in the literal, but only in the intellectual sense. The plot is invented, the background is not..."[23] Without Rand's knowledge or permission, We the Living was made into a pair of films, Noi vivi and Addio, Kira in Italy in 1942. Rediscovered in the 1960s, these films were re-edited into a new version which was approved by Rand and re-released as We the Living in 1986.[24]
The novella Anthem was published in England in 1938, and in America seven years later. It presents a vision of a dystopian future world in which collectivism has triumphed to such an extent that even the word "I" has vanished from the language and from humanity's memory.

The Fountainhead
Main articles: The Fountainhead and The Fountainhead (film)
Rand's first major success came with The Fountainhead in 1943, a romantic drama and philosophical novel that she wrote over a period of seven years.[25] The novel centers on an uncompromising young architect named Howard Roark, and his struggle against what Rand described as "second-handers" — those who attempt to live through others, placing others above self. It was rejected by twelve publishers before finally being accepted by the Bobbs-Merrill Company on the insistence of editorial board member Archibald Ogden who threatened to quit if his employer did not publish it.[26]
On May 16, 1943, The New York Times review of The Fountainhead called Rand "a writer of great power" who writes "brilliantly, beautifully and bitterly," and it stated that she had "written a hymn in praise of the individual... you will not be able to read this masterful book without thinking through some of the basic concepts of our time."[27]
The Fountainhead eventually became a worldwide success, bringing Rand fame and financial security. As of April 2003[update], it had sold over six million copies, and continued to sell about 100,000 copies per year.[26]
Rand wrote a screenplay for her novel The Fountainhead for the Hollywood film of the same name[28] (1949, Warner Bros.) starring Gary Cooper and Patricia Neal.[29] Rand initially insisted that Frank Lloyd Wright design the architectural models used in the film, but relented when his fee was too high.[30]

Early activism and professional success
During the 1940s, Rand became involved in political activism. Both she and her husband worked full time in volunteer positions for the 1940 Presidential campaign of Wendell Wilkie, and this work led to Rand's first public speaking experiences, including fielding the sometimes hostile questions from the audience "following pro-Wilkie newsreels at a Union square movie theater" in New York City, an experience she greatly enjoyed.[31] This activity also brought her into contact with other intellectuals sympathetic to free-market capitalism. The New York Times journalist Henry Hazlitt and his wife had been friends of Rand and her husband even before her success with The Fountainhead, and in the 1940s Hazlitt introduced her to the Austrian School economist Ludwig von Mises. Both men expressed an admiration for Rand, and, despite her philosophical differences with them, Rand strongly endorsed the writings of both men throughout her career.[32]
In 1943, Rand returned to Hollywood to write the screenplay for the film version of The Fountainhead for Warner Brothers, and the following year she and her husband purchased a home designed by modernist Richard Neutra and an adjoining ranch. There, Rand entertained figures such as Hazlitt, Morrie Ryskind, Janet Gaynor, Gilbert Adrian and Leonard Read. Finishing her work on that screenplay, she was hired by producer Hal Wallis as a screenwriter and script-doctor, and her work for Wallis included the Oscar-nominated Love Letters and You Came Along, along with research for a screenplay based on the development of the atomic bomb.[33] This role gave Rand time to work on other projects, including the publication of her first work of non-fiction, an essay titled "Individualism: the Only Path to Tomorrow", in the January 1944 edition of Reader's Digest magazine.[34] During this period Rand also outlined and took extensive notes for a non-fiction treatment of her philosophy.[35]
At the invitation of Frank Lloyd Wright, Rand and her husband visited his famous school of architecture, Taliesin East. Rand had long admired Wright's work, and after initially rebuffing her efforts to interview him, the architect became an admirer of the The Fountainhead shortly after its publication. However, Rand found the school to be an oppressive creative environment, calling it "a feudal establishment." Wright later designed a home for Rand which was never built.[36]
The most important relationship Rand developed during this period was with libertarian writer Isabel Paterson. The two women became friends and philosophical sparring-partners, and Rand is reported to have questioned the well-informed Paterson about American history and politics long into the night during their numerous meetings. Later, the two women had a falling out after what Rand saw as Paterson's bitter and insensitive comments during one of her Hollywood parties. Paterson's influence on Rand's later political theories has been a matter of ongoing debate, but Paterson biographer Stephen Cox credits Rand's public advocacy with keeping her old friend's political work The God of the Machine in print for many years, despite their previous break.[37]
In 1947, during the Second Red Scare, Rand testified as a "friendly witness" before the United States House Un-American Activities Committee. Her testimony regarded the disparity between her personal experiences in the Soviet Union and the portrayal of it in the 1944 film Song of Russia.[38] Rand argued that the film grossly misrepresented the socioeconomic conditions in the Soviet Union and portrayed life in the USSR as being much better and happier than it actually was. Furthermore, she believed that even if a temporary alliance with the USSR was necessary to defeat the Nazis, the case for this should not have been made by portraying what she believed were falsely positive images of Soviet life.[39]
When asked about her feelings on the effectiveness of the investigations after the hearings, Rand described the process as "futile".[40]

Atlas Shrugged
Main article: Atlas Shrugged
Rand's magnum opus, the 1,100-page Atlas Shrugged, was published in 1957.[41] Because of the success of The Fountainhead, the initial print run was 100,000 copies, and the book went on to become an international bestseller, with many interviewees citing it as the book that most influenced them. It sells almost 200,000 copies annually. (See Popular interest and influence, below.) Rand's last major work of fiction, it marked the turning point in her life, ending her career as novelist and beginning her tenure as popular philosopher.[42]
The theme of Atlas Shrugged is "the role of the mind in man's existence––and, as a corollary, the demonstration of a new moral philosophy: the morality of rational self-interest."[43] It advocates the core tenets of Rand's philosophy of Objectivism and expresses her concept of human achievement. The plot involves a dystopian United States in which the most creative industrialists, scientists and artists go on strike and retreat to a mountainous hideaway where they build an independent free economy. The hero, John Galt, describes the strike as "stopping the motor of the world" by withdrawing the "minds" that Rand saw as contributing the most to the nation's wealth and achievement. With their strike, they aim to demonstrate that, without efforts of the rational and productive, the economy, and the broader culture, would collapse and society would fall apart. The novel includes elements of mystery and science fiction,[44] and contains Rand's most extensive statement of Objectivism in any of her works of fiction, a lengthy monologue delivered by the strike's leader, John Galt.[45]
A film adaptation of Atlas Shrugged has been discussed for many years, and several attempts have been made to bring it into production, but none has ever moved beyond the planning stages.[46]

In 1951 Rand moved from Los Angeles to New York City, the city she most loved and admired. From 1965 to her death in 1982, she resided at 120 East 34th Street. In New York, she formed a group (jokingly designated "The Collective") which included future Federal Reserve chairman Alan Greenspan, a young psychology student named Nathan Blumenthal (later Nathaniel Branden) and his wife Barbara, and Leonard Peikoff, all of whom had been profoundly influenced by The Fountainhead.
The group originally started out as an informal gathering of friends who met with Rand on weekends at her apartment to discuss philosophy; later the Collective would proceed to play a larger, more formal role, reading Atlas Shrugged as the manuscript pages were written and, following its publication, promoting Rand's philosophy through the Nathaniel Branden Institute (NBI), established by him for that purpose. Collective members gave lectures at the NBI and in cities across the United States and wrote articles for Objectivist periodicals that she edited. Rand later published some of these articles in book form.
After several years, Rand's close relationship with the much younger Branden turned into a romantic affair, with the consent of their spouses.[47] In 1964, Branden entered into an affair with the young actress Patrecia Scott, whom he later married. The Brandens hid the affair from Rand and lied about it. Though her romantic relationship with Branden had already ended, Rand terminated her relationship with both Brandens when she discovered their dishonesty. As a result, NBI closed.[48] She published a letter in The Objectivist repudiating Branden for dishonesty and other "irrational behavior in his private life."[49]
Throughout the 1960s and 1970s, Rand developed and promoted her Objectivist philosophy through her non-fiction works, and by giving talks at several prominent universities, such as Yale University, Princeton University and Columbia University. In subsequent years, she went on to lecture at University of Wisconsin, Johns Hopkins University, Harvard University and MIT.[50] She received an honorary doctorate from Lewis & Clark College in 1963.[51] For many years, she gave also an annual lecture at the Ford Hall Forum, responding afterwards in her famously spirited form to questions from the audience.[52]
On July 16, 1969, as invited "VIPs," Rand and her husband attended the launch of Apollo 11, the space mission which first landed men on the surface of the moon. This event inspired two of her essays.[53] Rand also became a friend of astronaut Michael Collins.[54] Other friends of Rand during this period include writer Mickey Spillane and music critic Deems Taylor.[55]
In 1973, she was briefly reunited with her youngest sister, Nora, who still lived in the Soviet Union. Although Rand had initially attempted to bring her family to the United States, she had ceased contacting them in 1937 after reading a notice in the post office that letters from Americans might imperil Russians at risk from Stalinist repression. Rand received a letter from Nora in 1973 and invited her and her husband to America; but her sister's views had changed, and to Rand's disappointment Nora voluntarily returned to the USSR.[56]

Rand underwent surgery for lung cancer in 1974, and conflicts continued in the wake of the break with Branden and the subsequent collapse of the Nathaniel Branden Institute (NBI). Several more of her closest "Collective" friends parted company with her, and during the late 1970s her activities within the Objectivist movement declined, especially after the death of her husband on November 9, 1979.[51] One of her final projects was work on a television adaptation of Atlas Shrugged. She had also planned to write another novel, To Lorne Dieterling, but did not get far in her notes.[57]
Rand died of heart failure on March 6, 1982 at her 34th Street home in New York City,[58] years after having successfully battled cancer, and was interred in the Kensico Cemetery, Valhalla, New York. Rand's funeral was attended by some of her prominent followers, including Alan Greenspan. David Kelley read her favorite poem Rudyard Kipling's "If—". A six-foot floral arrangement in the shape of a dollar sign was placed near her casket.[59]
In her will, Rand named Leonard Peikoff the heir to her estate, and she had previously recognized his work as being the best exposition of her philosophy.[60]

Philosophy
Main article: Objectivism (Ayn Rand)
Rand saw her views as constituting an integrated philosophical system, which she called "Objectivism". The essence of Objectivism, according to Rand, is "the concept of man as a heroic being, with his own happiness as the moral purpose of his life, with productive achievement as his noblest activity, and reason as his only absolute."[61]
Rejecting faith as antithetical to reason, Rand opposed any form of mysticism or supernaturalism, including organized religion, and she embraced philosophical realism.[62] Rand also argued for rational egoism, or rational self-interest, as the only proper guiding moral principle. The individual "must exist for his own sake", she wrote in 1962, "neither sacrificing himself to others nor sacrificing others to himself".[63] In 1976, she said that her most important contributions to philosophy were her "theory of concepts, my ethics, and my discovery in politics that evil—the violation of rights—consists of the initiation of force."[64]
She acknowledged Aristotle as a great influence,[65] but her interpretations of his work have been described as "grossly inaccurate" and her knowledge of his ethics "quite slim".[66] She found early inspiration in Friedrich Nietzsche,[67] although she later rejected his approach, holding it to be anti-reason. She remarked that in the history of philosophy she could only recommend "three A's" —Aristotle, Aquinas, and Ayn Rand.[68] Among the philosophers Rand held in particular disdain was Immanuel Kant, whom she referred to as a "monster" and "the most evil man in history". Rand was strongly opposed to the view she ascribed to Kant that reason is unable to know reality "as it is in itself." She considered her philosophy to be the "exact opposite" of Kant's on "every fundamental issue".[69] Philosophers George Walsh and Fred Seddon have both argued that Rand misinterpreted Kant. In particular, Walsh argues that both philosophers adhere to many of the same basic positions, and that Rand exaggerated her differences with Kant. While Seddon and Walsh are sympathetic sources (being that they are both Objectivists), other critics have considered her views on Kant to be simply "ignorant and unworthy of discussion."[70][71][72]
Rand held that the only moral social system is laissez-faire capitalism. Her political views were strongly individualist and hence anti-statist and anti-Communist. Rand detested many prominent liberal and conservative politicians of her time, including prominent anti-Communists.[73][74][75] Jim Powell, a senior fellow at the Cato Institute, considers Rand one of the three most important women (along with Rose Wilder Lane and Isabel Paterson) of modern American libertarianism,[76] although she rejected libertarianism and the libertarian movement. Rand's views on politics have continued to gain admirers, despite being generally considered "ill-thought out and unsystematic".[77]
Even among those sympathetic to Rand's work, her style is described as "literary, hyperbolic and emotional."[78] Despite this, her philosophy is considered by some philosophers to be quite original and important, particularly by those within the libertarian tradition, where admiration tempered with qualifications are often found. For instance, philosopher Jack Wheeler says that despite "the incessant bombast and continuous venting of Randian rage", he considers Rand's ethics to be "a most immense achievement, the study of which is vastly more fruitful than any other in contemporary thought."[79]

Reception
Rand's novels, when they were first published, were derided by some critics as long and melodramatic.[80] They became bestsellers due largely to word of mouth.[81] Scholars of English and American literature have largely ignored her work, although Rand has received occasional positive reviews from the literary establishment. In her Literary Encyclopedia entry written in 2001, John Lewis, a philosopher who has argued passionately for the principles she raised, declared that "Rand wrote the most intellectually challenging fiction of her generation".[2]
The first reviews Rand received were for her play Night of January 16. Reviews of the Broadway production were mixed, and Rand considered even the positive reviews to be embarrassing because of significant changes made to her script by the producer.[82] Her early novels, We the Living and Anthem, received little attention from reviewers. Rand's first bestseller, The Fountainhead, received mixed reviews, although there was a positive review in the New York Times that Rand greatly appreciated.[83][84]
Rand's 1957 novel Atlas Shrugged received the most attention from reviewers, and many of the reviews were strongly negative. In the National Review, conservative author Whittaker Chambers called the book "sophomoric" and "remarkably silly," and said it "can be called a novel only by devaluing the term".[85] He described the tone of the book as "shrillness without reprieve" and accused Rand of supporting the same godless system as the Soviets, claiming "From almost any page of Atlas Shrugged, a voice can be heard, from painful necessity, commanding: 'To the gas chambers—go!'"[85]
During Rand's lifetime her work received little attention from academic scholars.[86] When the first academic book about Rand's philosophy appeared in 1971, its author declared writing about Rand "a treacherous undertaking" that could lead to "guilt by association" for taking her seriously.[87] A few articles about Rand's ideas appeared in academic journals prior to her death in 1982, many of them in The Personalist.[88] Academic consideration of Rand as a literary figure during her life was even more limited. Rand scholar Mimi Reisel Gladstein was unable to find any scholarly articles about Rand's novels when she began researching her in 1973, and only three such articles appeared during the rest of the 1970s.[89]

Rand's books continue to be widely sold and read, with 25 million copies sold (as of 2007), and 800,000 more being sold each year according to the Ayn Rand Institute.[90] She has also had an influence on a number of notable people in different fields. Examples include philosophers such as John Hospers, George H. Smith, Allan Gotthelf, Robert Mayhew and Tara Smith, economists such as George Reisman and Murray Rothbard, psychologists such as Edwin A. Locke, historians such as Robert Hessen, and political writers such as Charles Murray. United States Congressmen Ron Paul[citation needed] and Bob Barr[citation needed], and Associate Justice of the Supreme Court of the United States Clarence Thomas[91] have acknowledged her influence on their lives, and former United States President Ronald Reagan described himself as an "admirer" of Rand in private correspondence in the 1960s.[92]

Popular interest and influence
Nick Gillespie, editor in chief of Reason Magazine, has remarked that "Rand’s is a tortured immortality, one in which she’s as likely to be a punch line as a protagonist," with "jibes at Rand as cold and inhuman, running through the popular culture."[93] A number of popular animated sitcoms have mentioned Rand or her works, including a Futurama episode where in the future Rand's works are found in the sewer, a South Park episode where Atlas Shrugged is described as a "piece of garbage," and multiple references in episodes of The Simpsons.[94][95] Outside the world of animation, Rand has been referred to in a variety of shows, including game shows (Jeopardy![94]), dramas (The Gilmore Girls,[94] Mad Men[96]), and comedies (The Colbert Report[97]). The Philosophical Lexicon, a satirical work maintained by philosophers Daniel Dennett and Asbjørn Steglich-Petersen, defines a "rand" as 'An angry tirade occasioned by mistaking philosophical disagreement for a personal attack and/or evidence of unspeakable moral corruption. "When I questioned his second premise, he flew into a rand." Also, to attack or stigmatise through a rand. "When I defended socialised medicine, I was randed as a communist."'[98] Although Rand's influence has been greatest in the United States, she has had a growing international following.[99] Her books were international best sellers, and continue to sell in large numbers in the 21st century.[100] In 2007, fifty years after it was first published, 185,000 copies of Atlas Shrugged were sold.[101] Sales of Atlas Shrugged grew significantly during the economic crisis caused by the 2007 credit crunch, in which some saw parallels to events in the novel. On April 2, 2009, the book's sales ranking on Amazon.com peaked at 15,[citation needed] surpassing other, more recent best-sellers.[102]
When a 1991 survey by the Library of Congress and the Book-of-the-Month Club asked what the most influential book in the respondent's life was, Rand's Atlas Shrugged was the second most popular choice, after the Bible.[103] Readers polled in 1998 and 1999 by Modern Library placed four of her books on the 100 Best Novels list (Atlas Shrugged, The Fountainhead, Anthem, and We the Living were in first, second, seventh, and eighth place, respectively) and one on the 100 Best Nonfiction list (The Virtue of Selfishness, in first place), with books about Rand and her philosophy in third and sixth place.[104] However, the validity of such polls has been disputed.[105] Freestar Media/Zogby polls conducted in 2007 found that around 8 percent of American adults have read Atlas Shrugged.[106]
Rand has been cited by numerous prominent individuals as an influence on their lives and thought. Radio personality Rush Limbaugh makes frequent positive reference to Rand's work on his program.[107] Magician and comedian Penn Jillette has acknowledged her influence. Steve Ditko, co-creator of the Spiderman character, created several comic-book characters based on his Objectivist beliefs, including Mr. A and the DC Comics character the Question.[108] The later comic book Watchmen by Alan Moore embodies a critique of Randian ideas in the character of Rorschach, which Moore credits to Ditko's influence.[109] The Canadian rock band Rush has explored many Rand themes in their lyrics, most notably the concept album "2112", which is loosely based on the novel Anthem.[110] Objectivist novelist Kay Nolte Smith's novel Elegy for a Soprano is a roman a clef inspired by Rand, Branden, and the circle around them. Rand also figures prominently in William F. Buckley's novel Getting it Right.[111] The video game BioShock includes elements inspired by its creator's reaction to Atlas Shrugged.[112]
Rand's image appears on a U.S. postage stamp, which debuted April 22, 1999 in New York City.[113]
A 1997 documentary film about Rand's life, Ayn Rand: A Sense of Life, was nominated for the Academy Award for Best Documentary Feature.[114]
The Passion of Ayn Rand, an independent film about her life, was made in 1999, starring Helen Mirren as Rand and Peter Fonda as her husband. The film was based on the book by Barbara Branden, and won several awards including an Emmy for Mirren and a Golden Globe for Fonda.[115]

Academic scholarship
Since Rand's death in 1982, there has been gradually increasing interest in her work,[116] and her ideas have found some recognition.[17][117] Although few universities currently consider Rand or Objectivism to be a worthy philosophical specialty or research area, some American universities have established chairs or centers for the study of Rand's views, and fellowships have been established to support individual scholars. In a 1999 interview in the Chronicle of Higher Education, Rand scholar Chris Matthew Sciabarra commented, "I know they laugh at Rand", while forecasting a growth of interest in her work in the academic community.[118]
Some academic philosophers have attacked Rand for what they assert is a lack of rigor and limited understanding of philosophical subject matter.[119] Her emphatic defense of capitalism—characterized by a belief in selfishness as a virtue—made Rand a notorious figure who was not accepted by the intellectual mainstream.[86][120] Many adherents and practitioners of continental philosophy criticize her celebration of self-interest, and as a result have paid little attention to her work.[121] Academic philosophers have generally dismissed Atlas Shrugged as "sophomoric, preachy, and unoriginal"[122] and have marginalized her philosophy.[123]
The motives of some of Rand's critics have been called into question, due to the unusual hostility of many of the criticisms.[124] For example, Chris Matthew Sciabarra discusses criticism of Rand, saying, "The left was infuriated by her anti-communist, procapitalist politics, whereas the right was disgusted with her atheism and civil libertarianism."[86]
Rand scholars such as Sciabarra, Allan Gotthelf, and Tara Smith have made attempts to introduce her into formal academia. Sciabarra co-edits the Journal of Ayn Rand Studies, a self-described "nonpartisan" peer-reviewed journal dedicated to the study of Rand, principally her philosophic work[125]. In 1987, Gotthelf helped found the Ayn Rand Society, which is affiliated with the American Philosophical Association and has been active in sponsoring seminars.[126] Smith has published several academic books and papers on Rand's ideas, including Ayn Rand's Normative Ethics: The Virtuous Egoist, a volume on Rand's ethical theory published by Cambridge University Press. Rand's ideas have also been made the subjects of study at Clemson and Duke universities.[127]

Institutes
In 1985, Leonard Peikoff established the Ayn Rand Institute (ARI), which "works to introduce young people to Ayn Rand's novels, to support scholarship and research based on her ideas, and to promote the principles of reason, rational self-interest, individual rights and laissez-faire capitalism to the widest possible audience."[128] In 1989, David Kelley founded the Institute for Objectivist Studies, now known as The Atlas Society. Its focus is on attracting readers of Ayn Rand's fiction. The associated Objectivist Center division deals with more academic ventures. In 2000, historian John McCaskey organized the Anthem Foundation for Objectivist Scholarship, which provides grants for scholarly work on Objectivism in academia. Grants have gone to the University of Pittsburgh and the University of Texas at Austin.[129]